The
beautiful colours in soap films and in oil floating on water are due to interference by reflection.
We will first consider the interference due to a parallel-sided film as shown in Figure 1.
Interference can be seen at O by division of amplitude, some light being reflected from each
side of the film.
Part of the light beam travels a distance BEP = 2BE while the other
travels a distance BM.
The path difference is therefore = 2nBE – BM
Now the
distance 2BE is in the thin film which has a refractive index n and so the equivalent path length
in a vacuum is 2nBE
So path difference = 2nBE – nBN = n(BE + EF - BN)
= nNF = 2nt cos r
where n is the refractive index of the film of thickness t.
If we now consider the soap film and normal incidence (i.e. cos r = 1) it is easy to see why thick films reflect light but do not show coloured effects and appear transparent and why very thin films appear 'black' i.e. do not reflect light. The idea of the next set of calculation is to see which wavelengths will 'fit' into the film and so give a maximum. In other words to find out which colours will be seen. Consider a soap film of refractive index 1.33 illuminated by white light.
For t =10-7m and m = 0 λ = 5.32x 10-7m = 532 nm (green)
All higher values of m give wavelengths in the ultraviolet region.
Therefore values of m between 36 and 59 will "fit", there are 24 wavelengths that give maxima
and so the appearance is very nearly white.
For thicker films still many more
wavelengths can 'fit in', and so all thicker films appear to reflect white light.
For very thin
films the distance travelled inside the film is insignificant and so the two reflected waves are
almost exactly out of phase with each other (due to the phase change at one surface); they
interfere destructively and the film appears 'black'. For this reason when a soap film goes black
it is about to burst.
The colours in a soap film can be observed clearly by projecting them on to a screen. A wire ring with a soap film formed across it should be mounted vertically in the beam of a high-intensity light source in such a way that the light is focused just behind the film. A further lens may then be used to project the colours formed on to a screen. As the water runs from the film it gets progressively narrower at the top and turns black when it is about to break. Beautiful effects may be obtained by blowing gently on the film.